Hybrids and Cultivars

A History of Hybrids

Key Terms

Species: refers to one of the five or six irises found in nature that breed true and are commonly accepted by taxonomists and botanists. They are Iris hexagona, I. fulva, I. brevicaulis, I. giganticaerulea, I. nelsonii; some add I. savannarum.

Hybrid: A hybrid is an iris created when two species or their hybrid descendants are are cross-pollinated by humans or naturally.

Cultivar: A cultivar is a plant, often a hybrid, that is selected and cultivated for desirable traits and often sold. “Cultivar” is shortened from “cultivated variety.”

Today’s garden Louisiana irises are not many generations removed from their wild ancestors, but the differences in appearance and other characteristics can be striking. The earliest hybrids on record were created in the early 1900s, followed by sporadic work until the 1940s and 1950s, after which an emphasis on formal hybridization resulted in a remarkable transformation of the irises in a relatively short time.

Hybrid ‘Dorothea K. Williamson’ 

The Early Years

The earliest known hybrids were close to the native species and were created by simply crossing one species with another. William Rickatson Dykes, the amateur English botanist who developed the first classification system for irises in 1913, crossed I. fulva with I. brevicaulis (then called I. foliosa) to produce ‘Fulvala’. Another English botanist, E. B. Williamson, used the same two species as parents to create ‘Dorothea K. Williamson’ in 1918. Amazingly, this iris is still grown today.

In the 1930s, Thomas A. Washington of Nashville, a prolific hybridizer of bearded irises,  created over 50 Louisiana iris cultivars. Parentage records are incomplete, but it appears that Washington worked with I. fulva, the East Coast species I. hexagona, and an occasional first-generation hybrid. Also before 1940, J. C. Nicholls, Jr. of Camillus, New York, registered over 20 Louisiana irises, offered for sale by the Royal Iris Garden, but these appear to have been plants collected in Louisiana, either species or natural hybrids. And Percy Viosca in New Orleans is credited with 15 named hybrids in this period, but there is no record of their ancestry, whether from collection or intentional crosses.

Hybridizing work before 1940 was similar in two respects. First, it did not develop the resulting plants much beyond the species, and second, although ahead of its times,  it did not feed into the lines of modern hybrids we see today. Despite interesting and forward-looking work, these efforts appear to have been dead ends.

The Early Years

The earliest known hybrids were close to the native species and were created by simply crossing one species with another. William Rickatson Dykes, the amateur English botanist who developed the first classification system for irises in 1913, crossed I. fulva with I. brevicaulis (then called I. foliosa) to produce ‘Fulvala’. Another English botanist, E. B. Williamson, used the same two species as parents to create ‘Dorothea K. Williamson’ in 1918. Amazingly, this iris is still grown today.

In the 1930s, Thomas A. Washington of Nashville, a prolific hybridizer of bearded irises,  created over 50 Louisiana iris cultivars. Parentage records are incomplete, but it appears that Washington worked with I. fulva, the East Coast species I. hexagona, and an occasional first-generation hybrid. Also before 1940, J. C. Nicholls, Jr. of Camillus, New York, registered over 20 Louisiana irises, offered for sale by the Royal Iris Garden, but these appear to have been plants collected in Louisiana, either species or natural hybrids. And Percy Viosca in New Orleans is credited with 15 named hybrids in this period, but there is no record of their ancestry, whether from collection or intentional crosses.

Hybridizing work before 1940 was similar in two respects. First, it did not develop the resulting plants much beyond the species, and second, although ahead of its times,  it did not feed into the lines of modern hybrids we see today. Despite interesting and forward-looking work, these efforts appear to have been dead ends.

Hybrid ‘Bayou sunset’

The Transformation Begins

It was not until the 1940s that a critical mass of hybridizers, often in touch through the new Society for Louisiana Irises organized in 1941, began producing irises whose genes have entered the pool that formed the basis of today’s hybrids. Furthermore, around this time, hybridizers began to register their plants with the American Iris Society, record the parentage of crosses, and engage in the more disciplined approach we see today. SLI was intertwined with AIS in these formative years, and the influence of the older and more developed organization served as a model for such early, systematic hybridizers as Caroline Dormon and Frank Chowning, whose documentation of their work, especially in recording parentage, created a standard for hybridizing practice after 1950.

Other important figures in this period included W. B. MacMillan, not so much for his hybridizing as for his discovery of the species I. nelsonii in 1938 in a swamp near Abbeville, LA, and for collecting and registering many nelsonii forms that were utilized to excellent advantage. Progress was cumulative. Hybrids produced other hybrids, resulting in new forms, colors, and other good qualities that improved the plants.

The Transformation Begins

It was not until the 1940s that a critical mass of hybridizers, often in touch through the new Society for Louisiana Irises organized in 1941, began producing irises whose genes have entered the pool that formed the basis of today’s hybrids. Furthermore, around this time, hybridizers began to register their plants with the American Iris Society, record the parentage of crosses, and engage in the more disciplined approach we see today. SLI was intertwined with AIS in these formative years, and the influence of the older and more developed organization served as a model for such early, systematic hybridizers as Caroline Dormon and Frank Chowning, whose documentation of their work, especially in recording parentage, created a standard for hybridizing practice after 1950.

Other important figures in this period included W. B. MacMillan, not so much for his hybridizing as for his discovery of the species I. nelsonii in 1938 in a swamp near Abbeville, LA, and for collecting and registering many nelsonii forms that were utilized to excellent advantage. Progress was cumulative. Hybrids produced other hybrids, resulting in new forms, colors, and other good qualities that improved the plants.

Hybrid ‘Helen Naish’

The Foundation of Today's Hybrids

As of 1940, fewer than 140 Louisiana irises had been registered with the American Iris Society, and even with those, documentation of parentage was spotty at best. Joseph Mertzweiller observed that “all modern cultivars are complex mixtures of several species and natural hybrids.” In the Society’s book on the irises,[1] Metzweiller wrote that the collected foundation stock “involved I. nelsonii more than any other species or group,” and he also cited natural hybrids, I. giganticaerulea and I. fulva, as being used to a considerable extent. I. brevicaulis, according to Mertzweiller, was underutilized, and the East Coast I. hexagona “received only limited attention in hybridizing after 1940.” Despite the limited availability of registered irises, enthusiasts in Louisiana commonly shared collected natural hybrids, and a vast pool of the four species native to the state was available to early hybridizers.

[1] The Louisiana Iris: The History and Culture of Five Native American Species and their Hybrids

The Foundation of Today's Hybrids

As of 1940, fewer than 140 Louisiana irises had been registered with the American Iris Society, and even with those, documentation of parentage was spotty at best. Joseph Mertzweiller observed that “all modern cultivars are complex mixtures of several species and natural hybrids.” In the Society’s book on the irises,[1] Metzweiller wrote that the collected foundation stock “involved I. nelsonii more than any other species or group,” and he also cited natural hybrids, I. giganticaerulea and I. fulva, as being used to a considerable extent. I. brevicaulis, according to Mertzweiller, was underutilized, and the East Coast I. hexagona “received only limited attention in hybridizing after 1940.” Despite the limited availability of registered irises, enthusiasts in Louisiana commonly shared collected natural hybrids, and a vast pool of the four species native to the state was available to early hybridizers.

[1] The Louisiana Iris: The History and Culture of Five Native American Species and their Hybrids.

The First Award Winning Cultivars

Just a few years after it was formed at the dawn of the modern era, the Society created an award for the best Louisiana iris cultivar to be awarded annually by vote of American Iris Society judges. The first winners display the state of the art among cultivars. They were ‘Mary S. Debaillon’, (Caroline Dormon, 1943), a collected natural hybrid; ‘Cherry Bounce’, (Nelson, 1946); ‘Bayou Sunset’ (MacMillan, 1945); ‘Violet Ray’ (Caroline Dormon, 1949); ‘Royal Gem’ (S. Smith, 1947), and ‘Caddo’ (Lilian Trichel, 1950).

Foundational Cultivars

In retrospect, relatively few early cultivars were utilized to create a disproportionate number of  later Louisiana irises. Some of these famous foundation irises include.

  • Old Coral (C. Dormon, 1949) – collected nelsonii
  • W. B. Macmillan (Conger, 1957)
  • Peggy Mac (MacMillan, 1943)
  • Kraemer Yellow (Kraemer, 1943) – collected natural hybrid
  • Louise Austin (G. Arceneaux, 1945)
  • Bayou Sunset (MacMillan, 1945)
  • Violet Ray (C. Dormon, 1949)
  • Wheelhorse (C. Dormon, 1952)
  • Louise Arny (Arny, 1956)
  • Her Highness (Levingston, 1957) – collected giganticaerulea, white

A Bridge to Modern Cultivars

These produced a later generation of hybrids, which have been a bridge to modern cultivars. The cycle is ongoing, and a new list of principal progenitors will emerge for the irises of the future. But for now, we can look back to these irises as among the most important ancestors of today’s Louisiana irises.

  • G. W. Holleyman (R. Holleyman, 1960)
  • Ila Nunn (Arny, 1967)
  • Charlie’s Michelle (Arny, 1969)
  • Ira Nelson (Arny, 1969)
  • Margaret Lee (J. C. Taylor, 1969)
  • Clyde Redmond (Arny, 1970)
  • Clara Goula (Arny, 1975)
  • Ann Chowning (Chowning, 1976)
  • Helen Naish (J. C. Taylor, 1979)
  • Valera (Arny, 1980)
  • Gladiator’s Gift (J. C. Taylor, 1990)

Hybrid ‘Lust For Lime’

The State of the Art

Louisiana iris cultivars have evolved in many ways, generally improved as garden plants. Compared to the wild species and early hybrids, today’s Louisiana irises tend to have fuller flowers that last longer thanks to thicker petals. They exhibit a wide range of colors and forms, which is unsurprising since the wild irises are highly varied even within the species groupings. However, the combination of genes across different species has triggered changes in hybrids that would be hard to imagine from looking at the species themselves. Each succeeding year seems to bring surprises as new Louisiana iris cultivars are registered and introduced into commerce. It is even harder to imagine where Louisiana irises will be in another fifty years.

Hybridizers used all four species native to Louisiana, which found their way into the backgrounds of today’s irises. While it is helpful to be aware of the attributes that each species brings to the hybrids, it becomes increasingly complex to map out the background of cultivars as succeeding generations accumulate. Although there are several resources available [link to Resources section re the Checklist, Iris Encyclopedia, and AIS Iris Registry] to research the ancestry of the irises, it is of more interest to most hybridizers today to study an iris’s contemporary attributes in deciding whether to use it in their work.

Several attributes are worth considering by both the hybridizer and the grower looking for good garden garden plants or show irises.

The State of the Art

Louisiana iris cultivars have evolved in many ways, generally improved as garden plants. Compared to the wild species and early hybrids, today’s Louisiana irises tend to have fuller flowers that last longer thanks to thicker petals. They exhibit a wide range of colors and forms, which is unsurprising since the wild irises are highly varied even within the species groupings. However, the combination of genes across different species has triggered changes in hybrids that would be hard to imagine from looking at the species themselves. Each succeeding year seems to bring surprises as new Louisiana iris cultivars are registered and introduced into commerce. It is even harder to imagine where Louisiana irises will be in another fifty years.

Hybridizers used all four species native to Louisiana, which found their way into the backgrounds of today’s irises. While it is helpful to be aware of the attributes that each species brings to the hybrids, it becomes increasingly complex to map out the background of cultivars as succeeding generations accumulate. Although there are several resources available [link to Resources section re the Checklist, Iris Encyclopedia, and AIS Iris Registry] to research the ancestry of the irises, it is of more interest to most hybridizers today to study an iris’s contemporary attributes in deciding whether to use it in their work.

Several attributes are worth considering by both the hybridizer and the grower looking for good garden garden plants or show irises.

Flaring

Following variation among their species ancestors, the general shapes of iris flowers range from flaring to pendant. Not many cultivars emulate the fully upright standards of giganticaerulea, but there are a few exceptions, such as Benny Trahan’s ‘King Alex’ and Joe Musacchia’s ‘Mama Janice’ and ‘Cajun Jester’

King Alex

Cajun Jester

Mama Janice

Pendant

At the other extreme, the pendant form is better represented. Afew include Peter Jackson’s ‘Mississippi Eavesdropper’ and Mertzweiller’s ‘President Hedley’. Much more often, an iris flower’s general shape lies in between with various degrees of flare, falls angled downwards, and standards upwards.

Mississippi Eavesdropper

President Hedley

Open

The flower segments in the species were relatively narrow, resulting in an open flower. The old MacMillan variety ‘Black Widow’ is an example of a species-like shape, and the iris remains popular today, undoubtedly due to its color and gracefulness. Modern cultivars have been on a march since the early days toward ever broader flowers. The predominant flower form today features overlapping parts. Almost any recent cultivar could serve as a model, but one of the first to exhibit this form was Sidney Conger’s ‘W. B. MacMillan’ (1957).

Black Widow

W. B. MacMillan

Words are inefficient and inadequate to describe the variety one encounters among Louisiana irises flowers. Many images are available online, but getting out into a garden at bloom time is even better. Another good approach is to monitor the offerings of iris specialty nurseries, which generally provide online catalogs and display the latest varieties. The Society’s Commercial Directory, published in each issue of the Fleur de Lis can be found here. Other internet resources are available also.

The appeal of flowers largely depends on their presentation, and the bloom stalk determines whether there are relatively more or fewer blooms to enjoy and how they are deployed. A stalk may have three to six blooming positions, and there may be one or two flowers at each position (always at least two in the top or terminal position). More flowers are always better, provided they are attractively displayed.

Louisiana irises can be very tall or quite short, and location in one’s garden may govern the best selection. ‘Pontchartrain Beach’ comes in at 45 inches, but ‘Little Woods’ blooms at only 20 inches. Most fall in the 24 – 36 inch range.

Pontchartrain Beach

Little Woods

A grower may want to select a range of irises with a bloom period that spans the season. Depending on the weather, one cultivar might stay in bloom for two weeks, but a careful selection can nearly double that garden-wide. Irises derived from I. brevicaulis tend to bloom late, and those with a giganticaerulea or fulva background may be early.

Beyond the plants’ gross characteristics, the iris flower’s parts offer almost endless possibilities for beauty and distinctiveness.

Styles

The three style arms of an iris flower house its reproductive parts, which can be decorative as well as rather useful. The styles can vary in size, shape, and color in ways that add markedly to the distinctiveness of the flower. Styles can be long or short and narrow or wide. The tip can be frilly.

Color variation on the styles can make an iris flower pop out. They can match the dominant color of the standards and falls or be lighter or darker. Near-white styles against a dark background sometimes make an iris stand out, but the opposite can also be true. Styles sometimes are a blend of colors with variation from base to tips. Unusual colors, such as shades of green, are increasingly seen.

Andouille

Cest La Mote

Southern Star

Signals

The signals of an iris can be almost nonexistent, or they can be large, showy blotches of a contrasting color. They can take on other configurations that challenge brief descriptions. Signals often are a ready means to identify an iris, and they can assure its distinction.

Electronic Storm

When Pigs Fly

The Kahn

Texture and Color

The base color of an iris’s standards and falls can encompass virtually a full spectrum in Louisiana irises, which boast the widest natural color range of all the iris groups. Color is the primary defining attribute of an iris flower, but other features can mediate or determine its visual impact. These include the extent of veining, ruffling or fluting, or a crepey texture. In addition, flower parts can exhibit distinct edging, usually in a lighter color or wider bands of lighter or darker colors. A few bicolors also exist but are not plentiful among Louisianas.

Veining

Overdressed

Fluting

Clara Goula

Ruffling

Jerry's Boutonniere

Hybrid "Iko Iko"

Issues with the Hybrids

All is not perfect among the modern Louisiana irises. New growers are often afflicted with “Pretty Flower Syndrome,” a tendency to be so taken with the beauty of a new or novel flower that there is a failure of the critical eye necessary to balance the many important qualities of a good iris. It is easy to fall in love with the first open blossom and decide quickly that the plant is a must-have. But a more considered and balanced assessment might lead to a different conclusion about which irises you wish to bring into your garden. A few factors to consider:

Issues with the Hybrids

All is not perfect among the modern Louisiana irises. New growers are often afflicted with “Pretty Flower Syndrome,” a tendency to be so taken with the beauty of a new or novel flower that there is a failure of the critical eye necessary to balance the many important qualities of a good iris. It is easy to fall in love with the first open blossom and decide quickly that the plant is a must-have. But a more considered and balanced assessment might lead to a different conclusion about which irises you wish to bring into your garden. A few factors to consider:

Do the flowers down the stalk open cleanly, or do they get jammed up and fail to open fully because there is too little space between the stalk and the leaf sheath holding the bud? The species and most hybrids do not have this problem, but some cultivars do.

How many buds does a stalk have? Six is considered a minimum, but superior plants often have more, resulting in a more extended bloom season. Irises can have up to five or even six blooming positions on a stalk and sometimes two buds at a position. So, how does a particular iris compare with a high standard of floriferousness?

Is the plant vigorous, and does it multiply well? A single rhizome should produce two offsets in a year, and superior ones can make four, six, or more, resulting in a nice clump over several years. If an iris does not grow robustly, it will not produce many bloom talks and will be disappointing in the garden.